What We do is Secret.
"When life gives you apples, SMOKE OUT THAT SHIT"
What We do is Secret.
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cosascool:

Johnny Abrahams

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cosascool: Johnny Abrahams
cosascool: Johnny Abrahams
cosascool: Johnny Abrahams
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razorshapes:

Felice Varini - Vingt-trois disques évidés plus douze moitiés et quatre quarts at Grand Palais, Paris (2013)

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razorshapes: Felice Varini - Vingt-trois disques évidés plus douze moitiés et quatre quarts at Grand Palais, Paris (2013)
razorshapes: Felice Varini - Vingt-trois disques évidés plus douze moitiés et quatre quarts at Grand Palais, Paris (2013)
razorshapes: Felice Varini - Vingt-trois disques évidés plus douze moitiés et quatre quarts at Grand Palais, Paris (2013)
razorshapes: Felice Varini - Vingt-trois disques évidés plus douze moitiés et quatre quarts at Grand Palais, Paris (2013)

mudwerks:

trafo box (by maraid)

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mudwerks: trafo box (by maraid)
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worclip:

Wellspring (2013) by Martín Azúa, in collaboration with Marc Vidal

Photographs: Martín Azúa and Segi Vich
Wellspring is an invitation to investigate and understand the natural processes to restore the relationship with the environment. It simulates an ecosystem through soil, rocks and plants, able to recover its natural balance.
Like raindrops falling on the inside of a cave, purified and enriched by the water lifecycle.
Permalink (301 notes) Via: worclip
worclip: Wellspring (2013) by Martín Azúa, in collaboration with Marc Vidal Photographs: Martín Azúa and Segi Vich Wellspring is an invitation to investigate and understand the natural processes to restore the relationship with the environment. It simulates an ecosystem through soil, rocks and plants, able to recover its natural balance. Like raindrops falling on the inside of a cave, purified and enriched by the water lifecycle.
worclip: Wellspring (2013) by Martín Azúa, in collaboration with Marc Vidal Photographs: Martín Azúa and Segi Vich Wellspring is an invitation to investigate and understand the natural processes to restore the relationship with the environment. It simulates an ecosystem through soil, rocks and plants, able to recover its natural balance. Like raindrops falling on the inside of a cave, purified and enriched by the water lifecycle.
worclip: Wellspring (2013) by Martín Azúa, in collaboration with Marc Vidal Photographs: Martín Azúa and Segi Vich Wellspring is an invitation to investigate and understand the natural processes to restore the relationship with the environment. It simulates an ecosystem through soil, rocks and plants, able to recover its natural balance. Like raindrops falling on the inside of a cave, purified and enriched by the water lifecycle.

edeux:

(via Zdunkiewicz Studio / Self Promotion on Behance)

Permalink (217 notes)Via: edeux
edeux: (via Zdunkiewicz Studio / Self Promotion on Behance)
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twentyfourparts:

Slight Return — Benjamin Lee

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twentyfourparts: Slight Return — Benjamin Lee
twentyfourparts: Slight Return — Benjamin Lee
twentyfourparts: Slight Return — Benjamin Lee
twentyfourparts: Slight Return — Benjamin Lee
twentyfourparts: Slight Return — Benjamin Lee
twentyfourparts: Slight Return — Benjamin Lee
twentyfourparts: Slight Return — Benjamin Lee
twentyfourparts: Slight Return — Benjamin Lee

serialthrill:

Z

Permalink (428 notes)Via: serialthrill
serialthrill: Z
Permalink (44 notes)Via: milanvandegoor
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maybeitsgreat:

4D Type, 2011 by Lo Siento from Spain

“4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space.

An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”

Permalink (551 notes) Via: maybeitsgreat
maybeitsgreat: 4D Type, 2011 by Lo Siento from Spain “4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space. An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
maybeitsgreat: 4D Type, 2011 by Lo Siento from Spain “4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space. An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
maybeitsgreat: 4D Type, 2011 by Lo Siento from Spain “4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space. An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
maybeitsgreat: 4D Type, 2011 by Lo Siento from Spain “4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space. An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
maybeitsgreat: 4D Type, 2011 by Lo Siento from Spain “4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space. An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
maybeitsgreat: 4D Type, 2011 by Lo Siento from Spain “4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space. An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
maybeitsgreat: 4D Type, 2011 by Lo Siento from Spain “4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space. An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
maybeitsgreat: 4D Type, 2011 by Lo Siento from Spain “4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space. An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
maybeitsgreat: 4D Type, 2011 by Lo Siento from Spain “4D Typography is the result of intersectioning, in an orthogonal way in space, two extrusions of the same character, which allows the spectator to read it from, minimum, two different positions in space. An observer searching to enjoy a particular architecture, is forced to move around and through it. The change in perspective generates new spaces in which light acts in different ways. In this case, it is the typography who makes the effort of abandoning its two dimensions to approach the architectural sense. It does not resign with a third dimension; a fourth one is necessary to complete the reading possibilities. By hanging the typography, the reader is allowed to surround the characters in order to understand all their shapes.”
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lew4ndowsk1:

he killed me because he always wore clear nail polish

Permalink (53,983 notes) Source: 2000ish Via: lew4ndowsk1
lew4ndowsk1: he killed me because he always wore clear nail polish
lew4ndowsk1: he killed me because he always wore clear nail polish
Permalink (1,120 notes)Source: nahteuoihcVia: thasoulstar

nebula-hd:

(R)

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Arsenal
Arsenal FC
jack wilshere
Gooners
gunners
nebula-hd: (R)
Permalink (911 notes)Via: whatshouldwecallme
When my best friend is having a bad day
ナルトとキラービー

Permalink (544 notes)Source: t-o-k-i-d-o-k-iVia: thasoulstar
ナルトとキラービー

Wu-Tang Clan set @ Coachella 2013

Permalink (333 notes)Source: hip-hop-lifestyleVia: k-ient
Wu-Tang Clan set @ Coachella 2013